16,718 로열티 프리 오디오 트랙들 "Midi Files Containing Pitch Bend Data"에 대한

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

The most basic ride pattern in rock and other styles.

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Reggae one drop drum pattern, sixteenth note variation.

Post-punk drum pattern.

Berg's Lulu Schoolboy tone row on C.

Alexander Scriabin: opus 40.02

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

Berg's basic tone row from Lulu on C.

Giulio Caccini: Amor che attendi.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Alexander Scriabin: opus 25.09

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Created using Sibelius.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη

Maj ninth chord on C.

Dresdner Amen

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

MIDI of the beginning of "Adeste Fideles". Created by Hyacinth (talk) 22:59, 1 February 2012 (UTC) using Sibelius 5.

Suspended 4th Chord on C.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

One Drop drum pattern.

Purdie shuffle variant. Created by Hyacinth (talk) 01:56, 30 October 2010 using Sibelius 5.

Phrygian Andalusian cadence.

Suspended fourth chord on C in first inversion.

Alexander Scriabin: opus 42.01

Alexander Scriabin: opus 32.01 (on Yamaha Clavinova)

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

Minor triad on C

Ausschnitt aus Hummels Klaviersonate fis-Moll, op. 81

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

Alexander Scriabin: opus 13.01